MEDIA
Sound Art: Zeit-Ton
ORF, March 2024
Atelier neuer Musik: Forum neuer Musik 2023
DLF, December 2023
Musik-Panorama: Ein Mensch erkennt, dass er nie ein Mensch war
DLF, November 2023
Israeli evening concert: MACH (2021) for harp and live-electronics
Kol HaMusica, June 2023
Atelier neuer Musik: Revisited Forum neuer Musik 2016
DLF, February 2023
Album-Tipp: Touching Universes
SWR2, November 2022
JetztMusik: Spannungsfelder zwischen Perfektionismus und Virtuosität
SWR2, October 2022
Musik-Panorama: Touching Universes – Kompositionen von Eres Holz
DLF, September 2022
JetztMusik: Neue Produktion des Ensemble Aventure
SWR2, January 2022
Forum neuer Musik 2021: Eres Holz' string quartet
DLF, November 2021
Atelier neuer Musik: Forum neuer Musik 2021
DLF, 2021
Musik-Panorama: 15. Oldenburger Symposium „Zwischen Zeiten“
DLF, August 2021
Kulturfeature
WDR3, 1. January 2021
Horizonte
BR, 6. October 2020
Atelier neuer Musik
DLF, 3. October 2020
Konzertdokument der Woche
DLF, 28. June 2020
Atelier neuer Musik
DLF, 27. June 2020
Klassikwelt: Tage der Alten Musik
Radiobremen, October 2019
Konzertdokument der Woche
DLF, 28. April 2019
Atelier neuer Musik
DLF, April 2019
Atelier neuer Musik
DLF, July 2018
Musik der Gegenwart
RBB, April 2018
Claude Debussy
Zwischen Romantik und Moderne
Radiobremen2, March 2018
Poeme und Kadenzen
DLF, December 2017
Zweisame Experimentierfreude
DLF, May 2017
Ars Nova
SWR2, October 2016
Musik der Gegenwart
RBB, October 2016
Atelier neuer Musik
DLF, May 2016
Ars Nova
SWR2, April 2016
Forum neuer Musik
DLF, April 2016
Junge Klangrede
Deutschlandradio Kultur, January 2016
Kol Ha'Musica
IBA-Kol Ha'Musica, February 2015
Denkklänge
Hessischer Rundfunk, September 2010
Zirkulationen (2004)
for piano
MACH (2011)
for trumpet
MACH (2013)
for piano
MACH (2017)
for clarinet and electronics
MACH (2017)
for organ
MACH (2020)
for accordion and electronics
MACH (2020)
for trombone and electronics
MACH (2020)
for saxophone and electronics
MACH (2020)
for cello and electronics
MACH (2021)
for harp and electronics
MACH (2022)
for recorders and electronics
Erd und Abgrund muss verstummen (2010)
for keyboard, cello and live-electronics
Sich einstellender Sinn (2011)
for mezzo-soprano (or countertenor), keyboard and live-electronics
Madrigal (2018)
for shawm and accordion
Amor (2018)
from Lamento della Ninfa, SV 163 / Claudio Monteverdi, arrangement for shawm and accordion
DEATH (2023)
for light, 2 bass clarinets and live-electronics
Black Box (2007)
for flute, piano and percussion
Weisse Wunden (2008)
Music theatre for three trumpets and TV
die frau (2020)
for mezzo-soprano, recorder(s), contrabss and live-electronics
Quintett (2009)
for flute, clarinet, viola, piano and harp
Quartett (2010)
for flute, clarinet, viola and piano
Trällernde Erinnerung (2010)
for flute, clarinet, viola, piano and percussion
Vier Schatten (2013)
for brass quintet
Chaconne (2014)
for flute, clarinet, piano, violin, viola and Cello
Schakalkopf (2016)
for flute, clarinet, violin, viola and cello
hautwärts (2018)
for saxophone, piano, accordion, trombone and cello
for whom the bell tolls; it tolls for thee (2018)
Miniature for saxophone, piano, accordion, viola and horn
Dunkle Risse (2018)
for string quartet
Colors of emptiness (2018)
for flute, oboe/cor anglais, clarinet in Bb/basset horn and bassoon
three minds - twisted (2023)
for string quartet
Perspektiven (2005)
for large ensemble
LATAH (2006/7)
for large ensemble and live-electronics
Nemesis (2014)
for large ensemble
Kaddisch nach Allen Ginsberg (2015)
for baritone and ensemble
Kataklothes (2015)
for large ensemble
Touching Universes and Ends (2019)
for large ensemble
Insight (2021)
for large ensemble and live-electronics
„Ein Mensch erkennt, dass er nie Mensch war“ (2023)
for large ensemble, video and live-electronics
Brain of Love (2024)
for large ensemble and live-electronics
Sich einstellender Sinn (2011)
for mezzo-soprano (or countertenor), keyboard and live-electronics
Kaddisch nach Allen Ginsberg (2015)
for baritone and ensemble
Fernen (2018)
for mixed-choir (Paul Celan)
Gebt Frieden (2019)
for mixed-choir, trumpet, horn, trombone and piano
die frau (2020)
for mezzo-soprano, recorder(s), contrabss and electronic
Transmigration (2006)
for fixed media
LATAH (2006/7)
for large ensemble and live-electronics
Erd und Abgrund muss verstummen (2010)
for keyboard, cello and live-electronics
Sich einstellender Sinn (2011)
for mezzo-soprano (or countertenor), keyboard and live-electronics
Studies I & II in Cycles (2013)
for computer
Studies I & II in Markov chain (2014)
for computer
MACH (2017)
for clarinet and electronics
Touching Universes and Ends (2019)
for large ensemble
die frau (2020)
for mezzo-soprano, recorder(s), contrabss and live-electronics
MACH (2020)
for accordion and electronics
MACH (2020)
for trombone and electronics
MACH (2020)
for saxophone and electronics
MACH (2020)
for cello and electronics
Insight (2021)
for large ensemble and live-electronics
MACH (2021)
for harp and electronics
MACH (2022)
for recorders and electronics
„Ein Mensch erkennt, dass er nie Mensch war“ (2023)
for large ensemble, video and live-electronics
DEATH (2023)
for light, 2 bass clarinets and live-electronics
Brain of Love (2024)
for large ensemble and live-electronics
Studies I & II in Cycles (2013)
for computer
Studies I & II in Markov chain (2014)
for computer
Lecturer for algorithmic composition
Hochschule für Musik „Hanns Eisler“
Berlin, since 2008
Querklang
Berlin, March 2012
Lecturer for composition at the federal youth competition
Weikersheim, August 2022