2024
Schuld ohne Sühne (engl.: Guilt Without Atonement)
Sounds of disturbing beauty name the unspeakable, the unimaginable: softly plaintive woodwind lines fill the space, merging with accordion, cello, and violin to create dense soundscapes, subtly solidifying in electronic continuation. Menacing undertones add piano bass, percussion, and muted trombone, harsh accents escalating into fortissimo strikes that startle. Chaos ensues, decay, where only a microtonal whimper remains. Eres Holz composes the psychosis, the paranoia, the disorientation, the loss of meaning. His work, commissioned by Deutschlandfunk, for nine instruments, electronics, and text projection, explores the experiences of violence by Wehrmacht soldiers in World War II.
Forum neuer Musik 2023
NZM - Neue Zeitschrift für Musik
#1_2024
Concert of Fernen (2018) after Paul Celan (1954) for mixed choir
Olaf Katzer - musical direction
Zentralwerk Dresden
Live recording
April 12, 2024
October
20.
Premiere of Brain of Love (2024) for large ensemble and live-electronics
Photo: Jakob Adolphi
11.
Gesellschaft für Neue Musik Mannheim e. V.
Commissioned by Tonedmelisma 2023 - International Festival for Contemporary Music
Concert of three minds - twisted (2023) for string quartet
Photo: Irène Zandel
Mannheim
June
29. 22h05
Atelier neuer Musik
Revisited Forum neuer Musik 2019
Broadcast of Kataklothes (2015) for large ensemble
Nicholas Reed - conductor
Deutschlandfunk, Cologne
May
21./22.
Studio production of DEATH (2023) for light, two bass clarinets and live-electronics
Ingólfur Vilhjálmsson & Laurent Bruttin - bass clarinets
Deutschlandfunk, Köln
13. 20h
Concert of Kataklothes (2015) for large ensemble
Commissioned by Zafraan Ensemble
Opening concert of Classical Next
Photo: Neda Navaee
April
12. 19h30
Concert of Fernen nach Paul Celan (2018) for mixed choir
Olaf Katzer - artistic direction
Photo: Christian Hostettler
Zentralwerk Dresden
11. 20h
Premiere of Fernen nach Paul Celan (2018) for mixed choir
Olaf Katzer - artistic direction
Photo: Oliver Look
Radialsystem Berlin
March
25. 23h
Radio program of DEATH (2023) for two bass clarinets, live-electronics and light
The ensemble XXI. century, conducted by Peter Burwik, showed how 'moments of reflection' can manifest musically [...] Israeli composer Eres Holz, who teaches in Berlin, developed his own composition software and successfully experiments with electronic sound environments. Regarding his new piece 'DEATH' for two bass clarinets, live electronics, and light (2023), he says: 'It's not about aesthetic design, but about engaging with existential questions. I aim to create music that doesn't remain abstract but penetrates deeply into realms of feelings.
Petra Stump-Linshalm & Heinz-Peter Linshalm
Photo: Viktor Brazdil
Post-war music at the „Forum for New Music“ of Deutschlandfunk Cologne
Holz does not absolve the German war crimes but imparts an enduring and essential humane message: Rather than succumbing to rigid friend-enemy dichotomies, we must endeavor to comprehend why individuals differ in their thoughts and actions. This comprehension serves as a prerequisite for democracy, freedom, and peace.
December 2023
Das hat mein Heimatgefühl hierzulande tief verletzt
The Israeli-German composer Eres Holz on terrorism, trauma, and apathy
[...] I wish that people, especially those who are not directly involved in the Israeli-Palestinian conflict, would truly strive for peace between Israelis and Palestinians. In this dreadful time, I hope they come together with them, show compassion, and express solidarity, instead of favoring one side while the other is still burying their dead.
December 2023
December
2. 22h
Broadcast by Ingo Dorfmüller
Forum neuer Musik 2023: Auf der verzweifelten Suche nach Normalität
„Ein Mensch erkennt, dass er nie Mensch war“ (2023)
Commissioned by the German public broadcasting radio station Deutschlandfunk
Christoph Maria Wagner - Artistic director
Photo: Maria Frodl
December 2023